As their film project becomes more and more involved, their bullies become more and more ruthless and their relationship becomes strained, Matt begins to take the fictional school shooting idea a little too seriously.Įven with the subject matter involved, the most shocking thing about The Dirties is that while it is considered a mockumentary (or as Johnson prefers to call it, a “fake documentary) the students and faculty of the high schools where they shot the film had no idea Johnson and co.
#GAY MOVIES 2018 UK MOVIE#
Shot within a number real high schools in Toronto, it tells the story of teenage losers Matt and Owen (played by twenty-somethings Matt Johnson and Owen Williams) who are filming a movie about a high school shooting perpetrated by two characters who are only interested in killing a group of bullies they call “The Dirties”. The Dirties, made for what ended up being about $10,000 with the help of fellow one-time microbudget filmmaker Kevin Smith, (whose company acquired the film after its prize-winning run at the Slamdance Film Festival) is a movie that has to be seen to be believed. All serve as a reminder that no matter your budget, you can craft a great movie from little more than the resources at your disposal and an iron will to create. While only three were shot on actual celluloid film, all are remarkable pieces of cinema that have left a lasting impression on audiences and moviemakers alike. While the 1980’s and 90’s saw the rise of self-funded films such as The Evil Dead, Clerks and El Mariachi, the turn of the new millennium saw the rise of the video-maker, and movements such as Mumblecore, which, spurred on by the Dogme 95 movement in Europe, led to a much wider acceptance of not only digital cinema in general, but also the use of consumer-grade cameras within mass cinema culture.īelow are some of the best, most influential and most groundbreaking microbudget films made since the year 2000.
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With the advent of affordable, accessible and powerful filmmaking tools such as the DSLR and DV cameras and even the iPhone, an entirely new generation of filmmakers have been granted the power to make a feature film without the help of a major studio or major financial investors. I will mostly discuss first-time films and/or features that established their respective directors as a “new voice” or gained them a much wider global audience. The term “microbudget” may seem a little vague, and while many authorities on film can’t quite agree on what amount of money qualifies as a microbudget film, this list will focus on feature films made for less than $250,000 USD (or equivalent).